b /// 0 p h 0 n y (2025)
A site specific performance where I serve as a living acoustic monitoring device next to a nearby swiftlet farm. This durational piece spoke to themes of deep listening as well as noise pollution and gentrification’s impact on Southeast Asia’s local ecological acoustics. Drawing inspiration from rite of passage rituals, the body serves as both material and observer of cross cultural sonic temporalities.
Current Exhibition: DYSTOPIA / UTOPIA by WE ARE THE FUTURE! and Critical Mass in Hong Kong
Extended documentation available upon request from curators and presenting institutions. [inquire here]
Dawn Chorus (2024)
A speculative sound poem documenting the bioacoustic data of a series of dawn choruses. Using semiotics, it explores interspecies communication possibilities and poetic interpretations of bioacoustic data.
Dendrochronomancy(2023)
cenotaph (shark’s mouth) (2023)
ÌgbínÌgbín (2022)
An interactive and creative code visual refrencing the Yoruba creations story, Ifa Corpus and African contribution to the binary system. Please view on full screen and desktop for the full interactive experience.
A Renaming: The [Dis]Rupture of Sonic Sigils (2023)
[still a work in progress]Ideograms and ideographs are generally regarded as soundless containers that carry meaning through their form. This project uses the algorithms within data sonification software to extract individualized soundscapes from a series of ancient West African symbols. Each sound-body serves as a spiritual encoding and disruptive incantation aiming towards the colonial status quo. The fleeting noise is intended to be used by any querent in need of activating the symbol’s essence.
Collective Herbal Directory
[access document here]